Sign up to get updates from us
With special guest Albert Evans
This episode is in response to a question I get quite often from listeners: Is Broadway Nation ever going to focus on movie musicals? Well, today is the day!
Of course, I don’t really hate any movie musicals. And I love quite a few of them.
In fact, it was largely old movie musicals from the 1930s, 40s, and 50s that I watched on TV when I was a kid back in the 60s and 70s that made be fall in love with show business in the first place. No doubt because so many of them were backstage musicals set in the worlds of Vaudeville, nightclubs, and the bright lights of Broadway.
The history of stage and film musicals is, of course, closely related, and they share many of the same creators and stars – which is no doubt why many historians and books analyze and discuss them together. I however see stage musicals and film musicals as being two very different things.
What are the main differences between them?
I am thrilled to be joined today by my dear friend and frequent Broadway Nation co-host, Albert Evans, to explore and define those differences -- and at least for a day -- give film musicals some love (and maybe a little bit of criticism) on this podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
with author Laurie Winer
With author Laurie Winer
with author Laurie Winer
With author Trevor Boffone
With Gerard Alessandrini
with Andrew L. Erdman author of Beautiful: The Story of Julian Eltinge, America's Greatest Female Impersonator.
With author Jack Viertel
With special guest Robert W. Schneider host of the new podcast BROADWAY BOUND
With MAYA CANTU author of GREASEPAINT PURITAN: Boston to 42nd Street In The Queer Backstage Novels of Bradford Ropes
With author OLIVER SODEN
In this episode, host David Armstrong, along with special guest, Albert Evans, begin to tell the amazing story of how Immigrants, Jews, Queers, and African-Americans invented America's signature art form -- the Broadway Musical.
A conversation with Caseen Gaines, author of FOOTNOTES: The Black Artists Who Rewrote the Rules of the Great White Way
