Subscribe to YouTube Now!
Sept. 27, 2024

More The Creatives Behind Xanadu... Plus Xanadu on Broadway

The player is loading ...
Look Behind The Look

Welcome back, Lookers! This week's Bite-Sized episode of Look Behind The Look is all about the cult classic, Xanadu. You loved Martin Samuel's interview so much that we decided to dive deeper into the film and share some delightful tidbits and behind-the-scenes stories. I also talk to the star of 2007's "Xanadu on Broadway" about her unforgettable time as Kira.

We discuss Kenny Ortega's choreography, take a look at the makeup and Bobbie Mannix's costumes, and I share my interview with Kerry Butler, star of 2007's Xanadu on Broadway about her experience and meeting Olivia Newton John on Opening Night.

Don't miss these fun stories and insights into the making of Xanadu. Whether you're a longtime fan or new to the magic, this episode will make you want to rewatch the film and maybe even dust off your roller skates.

This episode edited and written by Kelli Reilly

00:00:00 Welcome!

00:02:05 The Choreography of Xanadu with Kenny Ortega

00:06:25 Costume designer Bobbie Manix created over 260 costumes for Xanadu

00:09:05 Xanadu on Broadway with Kerry Butler

Get full access to Look Behind The Look's Substack from Tiffany Bartok at lookbehindthelook.substack.com/subscribe

Link Love :

WATCH Xanadu on Prime

OWN Xanadu (for all my fellow physical media obsessives)

Xanadu on Vinyl

Stream the Xanadu Soundtrack

Stream Xanadu on Broadway

Olivia Newton-John’s Autobiography Don’t Stop Believin’

There are tons of fun Xanadu items in my Etsy Curation:

Look Behind The Look's Etsy Collectio

…but with Halloween coming, my favorite Xanadu find is starting with these barrettes because they are the MOST important feature of any Kira costume… aside from the skates of course.

Share all your Xanadu stories and love with me below! See you soon…

Get full access to Look Behind The Look's Substack from Tiffany Bartok at lookbehindthelook.substack.com/subscribe

SUBSCRIBE

SUBSTACK

SUPPORT

.......MORE!

 

 

 

Transcript

(00:00:13):
Hi lookers, welcome back to another bite-sized edition of Look Behind the Look.

(00:00:18):
Today we are diving into one of the defining films of the 90s,

(00:00:22):
The Bodyguards,

(00:00:23):
starring Whitney Houston and Kevin Costner.

(00:00:26):
Where were you when you first saw it?

(00:00:27):
To this day, you cannot go anywhere without hearing Whitney's I Will Always Love You.

(00:00:32):
And I will always

(00:00:41):
Love you.

(00:00:44):
written by Dolly Parton.

(00:00:46):
And while the entire world will never forget her voice,

(00:00:49):
most of you may not know some of the behind-the-scenes facts that brought this film

(00:00:53):
to life.

(00:00:54):
This episode is extra special because I had the chance to sit down with industry

(00:00:58):
legend and Academy Award-winning makeup artist,

(00:01:01):
Valli O'Reilly.

(00:01:02):
We discussed everything from how she got the job to the products that she used on Whitney.

(00:01:07):
And we even saw some treasures from the film that she hung on to over 30 years later.

(00:01:12):
I hope you enjoyed this conversation as much as I did.

(00:01:14):
So what happened was on another movie and they had somebody,

(00:01:19):
I guess,

(00:01:19):
that was working on the bodyguard doing Whitney's makeup.

(00:01:23):
And then I got a call from her manager saying who I'd worked with a lot saying, what are you doing?

(00:01:29):
And I said, I just finished a movie.

(00:01:31):
Tomorrow is my last day.

(00:01:33):
She's like, can you come and do Whitney for this?

(00:01:35):
Because she's not she you know, we need to make some changes.

(00:01:40):
So I said, are you kidding?

(00:01:41):
Of course.

(00:01:42):
So she came to the set of the other job I was on.

(00:01:47):
And the producer was a friend of mine.

(00:01:49):
And I asked him, it was a Paul Mazursky movie.

(00:01:53):
I said, would you mind if we kept the, you know, because it means keeping Teamsters there longer.

(00:01:58):
I said, would you mind if

(00:01:59):
we kept the teamsters just for an hour because Whitney Houston's going to come by

(00:02:03):
and I'm just going to do a meet and greet and do a test on her.

(00:02:06):
Oh my God.

(00:02:07):
And he was like, yeah, no problem.

(00:02:09):
And you know,

(00:02:10):
everybody else in the,

(00:02:11):
that was in the trailer are like,

(00:02:13):
oh my God,

(00:02:13):
we get to see Whitney Houston.

(00:02:15):
So,

(00:02:16):
so we did the,

(00:02:17):
you know,

(00:02:17):
we talked and did a little bit of a test and she's like,

(00:02:20):
yeah,

(00:02:20):
you're my girl.

(00:02:21):
So then I took the job.

(00:02:24):
What do you remember about putting the look together for the queen of the night?

(00:02:27):
What,

(00:02:30):
Well,

(00:02:30):
I remembered,

(00:02:31):
you know,

(00:02:34):
we did some makeup tests and,

(00:02:36):
you know,

(00:02:37):
I mean,

(00:02:37):
basically we used a lot of fashion fair stuff because those were only good colors.

(00:02:45):
And I kind of wanted,

(00:02:47):
because a lot of people,

(00:02:48):
when they made up the black actresses back then,

(00:02:52):
they did like kind of a very heavy makeup.

(00:02:59):
You know,

(00:02:59):
they do lashes and,

(00:03:02):
you know,

(00:03:03):
it was just like for real life,

(00:03:05):
like somebody walking around in their home,

(00:03:08):
they're not going to look like they were in a music video.

(00:03:12):
Yeah.

(00:03:13):
You know, I pretty much for just offset her glamour looks.

(00:03:18):
I kept her looking,

(00:03:19):
you know,

(00:03:20):
tried to make her look as natural,

(00:03:22):
but she still was a,

(00:03:23):
you know,

(00:03:24):
a music icon,

(00:03:25):
her character.

(00:03:26):
So she still had to look nice.

(00:03:28):
But we kind of downplayed it.

(00:03:31):
We didn't use lashes until those performances.

(00:03:35):
I used a lot of cold pencil on her because it seemed to work.

(00:03:38):
She had really pretty eyes and she just was really pretty.

(00:03:43):
That makes it easier.

(00:03:45):
And I was like, I know that that lipstick, I know what that lipstick is.

(00:03:50):
And I have to ask who, like, I need confirmation.

(00:03:53):
And so I'm wondering if it was Ruby Woo.

(00:03:57):
Oh, the red?

(00:03:58):
Actually not.

(00:04:00):
Okay.

(00:04:02):
It was, I don't know, you're too young, but you know.

(00:04:06):
But the – Shiseido used to make these lipsticks that were in these red tubes that were long.

(00:04:14):
Yes, yes.

(00:04:15):
In the 80s and 90s.

(00:04:16):
And they were matte on one end and kind of glossy on the other.

(00:04:20):
So it was a Shiseido red.

(00:04:22):
And then I actually –

(00:04:26):
Yeah, that was before anybody had their own makeup lines.

(00:04:31):
It was, you know, it wasn't a MAC color, yeah.

(00:04:35):
Oh my gosh, I thought for sure I could be cool enough to call that one.

(00:04:40):
People,

(00:04:41):
once they discontinued,

(00:04:42):
like there was like a big thing on with all the makeup artists in LA anyway,

(00:04:46):
I think even in New York too,

(00:04:48):
people just rushed to the Shiseido counters and people were buying up these,

(00:04:52):
the lipstick colors were so amazing.

(00:04:55):
I still have like a little teeny vitamin case where I scooped out the colors and I keep it in my fridge.

(00:05:02):
Oh, I love that.

(00:05:03):
They did like a really good brown and they did a really good orange.

(00:05:09):
Because I remember the era where we were putting powder on our lips and then

(00:05:14):
putting like a lacquer over it.

(00:05:15):
Do you remember?

(00:05:16):
Like it was a two-step process was a big thing.

(00:05:20):
You know, if you want to matte a lipstick, what you can do, like I take a tissue.

(00:05:25):
And I tear it in, you know, because tissues are usually kind of two layers.

(00:05:29):
Right.

(00:05:29):
I like open it up and then you can just put it over the lips and then take a little

(00:05:34):
bit of like a pressed powder and it sets it and it'll matte it.

(00:05:41):
Oh, look at that.

(00:05:43):
Stop it.

(00:05:48):
Oh, my God, what a treasure.

(00:05:52):
She gave me this from the bodyguard.

(00:05:54):
She gave this to me as a gift.

(00:05:57):
What a treasure.

(00:06:00):
It's never been worn.

(00:06:03):
You need to wear this every day from now on.

(00:06:07):
That is so fabulous.

(00:06:10):
Oh, that's fabulous.

(00:06:14):
And a lot of times when people give me gifts, they spell my name wrong.

(00:06:17):
So I was just happy that...

(00:06:19):
But yeah, it was really great.

(00:06:21):
It's spelled correctly.

(00:06:22):
I was looking for makeup to show because I did use all the Naked's by Ultima,

(00:06:28):
which,

(00:06:29):
you know,

(00:06:29):
a lot of those colors,

(00:06:31):
like a friend of mine in New York helped create it.

(00:06:34):
But they were before Kevin had his line.

(00:06:36):
They were like the Naked's by Ultima.

(00:06:39):
Yeah.

(00:06:41):
But while I was digging to try to find the makeup,

(00:06:43):
there was too much to dig through because I just got back from being out of town yesterday.

(00:06:47):
I found an original Spice pencil in the box that has never been used.

(00:06:54):
I thought someone's probably going to break into my house just for that.

(00:06:59):
Yes, it's going to be me.

(00:07:00):
I'm glad I don't know your house.

(00:07:03):
One of the most iconic parts of The Bodyguard,

(00:07:05):
let alone the 90s,

(00:07:06):
is Whitney Houston's breathtaking rendition of I Will Always Love You.

(00:07:10):
The song was a cover.

(00:07:11):
It was originally penned and performed by country music legend Dolly Parton in 1973.

(00:07:15):
If I should stay, thank you, I would only be in.

(00:07:30):
Before The Bodyguard came to be,

(00:07:31):
Elvis wanted to cover the song,

(00:07:33):
but Dolly refused because the colonel,

(00:07:36):
his manager,

(00:07:36):
wanted the publishing rights.

(00:07:38):
That was Elvis's standard deal.

(00:07:40):
That's a whole nother story.

(00:07:41):
And one little sidetrack fact is this.

(00:07:44):
At the end of the Priscilla movie, do you notice that I Will Always Love You by Dolly Parton is playing?

(00:07:50):
I always thought that was a really cool nod to Priscilla getting her independence

(00:07:55):
back because it's Dolly's version of

(00:07:57):
And I kind of thought it was like Sophia doing a little middle finger work to Elvis there,

(00:08:02):
which I always found to be a nice little touch.

(00:08:05):
Sometimes I think, what would it have been like to hear Elvis's version?

(00:08:08):
But I understand how it all went down.

(00:08:10):
Whitney came along and gave us the ultimate enduring and unforgettable cover that

(00:08:14):
touched the entire world,

(00:08:16):
truly.

(00:08:16):
The song's emotional power and soulful delivery remain inseparable from Whitney and the film's legacy.

(00:08:22):
In this clip, Whitney tells the story of how the song came to be and made history.

(00:08:27):
I was scared to death going into my first motion picture.

(00:08:30):
The Bodyguard was a heavy deal.

(00:08:32):
We were on a mission searching for songs for The Bodyguard.

(00:08:36):
What would be the song, the song that is going to make this movie tie together?

(00:08:43):
Kevin and I,

(00:08:43):
of course,

(00:08:44):
went through,

(00:08:44):
you know,

(00:08:45):
Kevin's a music lover,

(00:08:47):
so he knows all the old songs,

(00:08:48):
new songs,

(00:08:49):
you know,

(00:08:49):
he loves it.

(00:08:50):
So he kind of went through his little collection and he came up with songs that he

(00:08:54):
thought were,

(00:08:55):
you know,

(00:08:55):
suiting for the movie.

(00:08:56):
suitable for the movie, and I had some songs of my own.

(00:09:00):
Well,

(00:09:01):
one day I was in the trailer,

(00:09:02):
and we heard Dolly Parton's song before,

(00:09:05):
and I said,

(00:09:05):
I wouldn't buy it,

(00:09:06):
you know,

(00:09:06):
because it was a country version,

(00:09:07):
and I,

(00:09:07):
you know,

(00:09:08):
nobody was listening.

(00:09:11):
Kevin brought it back to me in the trailer one day, and he said, I'm telling you, this is the song.

(00:09:16):
He said, you must listen to the song.

(00:09:17):
I cleared the trailer, and I listened to the song, and it hit me.

(00:09:20):
I was like, oh, he's so nice.

(00:09:23):
I can't go anywhere without singing I Always Love You.

(00:09:25):
It's just that song I have to do.

(00:09:28):
Now that we've heard Valli's side of the story when it came to Whitney's makeup and

(00:09:31):
the origin of I Will Always Love You,

(00:09:33):
the story would not be complete without digging into the creative force behind the

(00:09:36):
film's costume design and that queen of the night look.

(00:09:40):
Do you have the Barbie?

(00:09:41):
Susan Niniger, inspired by Fritz Lang's Metropolis and Thierry Mugler.

(00:09:46):
She created this unforgettable costume that showcased Rachel Maron's superstardom

(00:09:51):
and power and vulnerability and otherworldliness.

(00:09:54):
In this clip from the official Whitney Houston channel,

(00:09:57):
Susan Niniger reflects on their collaboration and how the costuming came to be.

(00:10:07):
The idea of working with Whitney and Kevin was so exciting to me.

(00:10:11):
Artists who are at the top of their game, and I was going to bring my game to that, too.

(00:10:16):
Prior to meeting Mick Jackson for The Bodyguard,

(00:10:20):
I really hadn't worked on a huge film,

(00:10:22):
so this was my lifetime dream.

(00:10:24):
I got a call from the director's assistant saying, Mick loves your work, and he'd like to meet with you.

(00:10:30):
So when I went in for the meeting with him, they just started talking to me about the movie.

(00:10:35):
There was actually no interview.

(00:10:36):
It was love at first sight, and it was a great collaboration with them.

(00:10:40):
We brought in a lot of fashion pieces from Europe that wouldn't be seen here in the United States.

(00:10:46):
Everything needed to be very unique to set the character Rachel apart from everybody else.

(00:10:53):
Our first conversation with Mick Jackson and Jeffrey Beecroft was about the Queen of the Night costume.

(00:10:59):
And their inspiration for that was the visuals from Metropolis,

(00:11:04):
which is a 1927 German film,

(00:11:07):
and Terry Moogler,

(00:11:08):
who was a designer designing a lot of breastplates,

(00:11:11):
hard pieces in

(00:11:13):
incorporated into his fashion designs.

(00:11:15):
We also talked about Whitney and her movements and what would make her feel regal.

(00:11:21):
I have to give it to Whitney always,

(00:11:24):
always,

(00:11:24):
always that these costumes were not easy to wear,

(00:11:28):
but she always pulled it off.

(00:11:31):
Goodbye, Rachel.

(00:11:45):
If I should stay, I would only be in your way.

(00:12:02):
So I'll go.

(00:12:05):
You okay?

(00:12:06):
Yeah.

(00:12:06):
But I know.

(00:12:11):
I'll think of you every step of the way.

(00:12:28):
And I will always love you.

(00:12:46):
That ending scene will always feel like the 90s answer to Casablanca.

(00:12:50):
I still get a lump in my throat right before she asks the plane to stop.

(00:12:54):
I used to play it over and over until the tape started to wear out.

(00:12:57):
Kids these days will call anyone an icon,

(00:13:00):
but Whitney Houston truly is the definition of a true icon and beyond the bodyguard.

(00:13:06):
There's so much more to dive into with her.

(00:13:08):
Of course, I could talk about her all day.

(00:13:10):
We all could.

(00:13:10):
You know I love hearing from you guys.

(00:13:12):
Tell me about your favorite bodyguard and Whitney moments,

(00:13:15):
your favorite looks,

(00:13:16):
stories,

(00:13:17):
and I'll share them on my sub stack.

(00:13:19):
Until next time.

(00:13:20):
Don't cry.

(00:13:23):
We both know I'm not what you.