How to write a story when the end is murky.
Today’s show is the first in a four-part miniseries called Home. Writing Class Radio helped produce a documentary to help end homelessness for Chapman Partnership, a homeless center in South Florida.
We put out a public call for submissions for stories about home. The call brought so many different and fascinating takes on home. Thank you to all the people who submitted stories.
In our series, you’ll hear a story about a woman finally feeling at home in her body, a man who finds home through love with a woman while he’s dealing with addiction, and a woman who finds home in another country less racially divided.
Today’s story by Anechy Padron is about being torn between two homes.
The writing technique we’re bringing out is about writing that story that doesn’t have a clear ending or resolution. We always want to make a solid point, but sometimes the point is a conflict. The story you’ll hear reveals that conflict.
Anechy was born in Cuba. She’s an actress-puppeteer and writer who worked as a clown in a Cuban circus. Anechy writes in English and Spanish and has been published in the Mexican anthology, Cada Loco Con Su Tema. For more Anechy, visit her travel blog anechynotes.blogspot.com and creative blog anechy7.wixsite.com/anechymade.
Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). Writing Class Radio is produced by Virginia Lora, Andrea Askowitz and Allison Langer. Mia Pennekamp is our media specialist.
Theme music is by Ari Herstand. Additional music by Podington Bear.
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