Sept. 15, 2020
Just Do It!

In this episode, Minneapolis based Drag Queen, Lala Luzious chats with pop artist Trent Park about his music, career, dating life, and the importance of putting yourself out there. Follow Trent Park! Youtube: https://tinyurl.com/trentparkyoutube...
In this episode, Minneapolis based Drag Queen, Lala Luzious chats with pop artist Trent Park about his music, career, dating life, and the importance of putting yourself out there. Follow Trent Park! www.trentparkmusic.com Youtube: https://tinyurl.com/trentparkyoutube Facebook: https://www.facebook.com/officialtrentparkmusic Instagram: https://www.instagram.com/trentpark/ Need another snack? Head on over to www.snacksizepodcast.com Need another snack? Head on over to www.snacksizepodcast.com Like Snack Size: The Podcast on Facebook Follow Snack Size: The Podcast on Twitter: @podcast_snack If you are a new listener to Snack Size, we would love to hear from you! Don’t be afraid to say hello at lala@snacksizepodcast.com
WEBVTT
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Hey snacks, welcome to season two
of snacks eyes, the podcast that will
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drag you into your most fabulous life. I'm your host, rather lushes,
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also known as the snack of the
twin cities, a drag queen that twirled
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her way into podcasting, and the
rest is a dream come true, and
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that's exactly what this podcast is about, making your dreams happen for you fabulously.
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This season we are continuing our journey
in finding out what makes a happy
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and fulfilled life, going places we've
never been before. Don't forget that,
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when it comes to your potential,
the sky is the limit and it's never
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a bad time to be who you
are. Get you a snack, because
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your fabulous life starts now. I've
been sitting there drinking. Now I'm thinking,
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what's guess me? No Boma bullet
ever do it. No Man,
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no ghost. One thing makes my
skin keep going that fun things. You
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Bust News, and some of you
I'm gonna I'll woke up from the night
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falling and guns, sad life.
What I'M gonna do? Hey snacks,
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you are listening to the single scare
me most from my guests for this episode.
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This guess is a soul full,
spooky pop artist raised in Syracuse,
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New York and now lives in Los
Angeles. He is the son of two
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ministers and first fell in love with
music during his upbringing in the church.
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Now he writes his own songs as
an indie artist with no management or backing.
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He is completely self produced, whether
it's a catchy tune or a stunning
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music visual this, guess, is
an example of what it means to live
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your dreams. Welcome the snack size, Trent Park. Let's give him a
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call. Hi and tried and welcome
to snack size. Hi, thanks so
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much for having me said it.
I am so excited. So scare me.
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Most is my new favorite thing.
I love the beat. So I
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would love to hear about what inspired
that single and what is the story behind
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it. Yeah, so very most
was like an idea. I always had
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this concept of love. Is like
a villain, like villainizing the idea of
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love. I think love is always
persona fied as this like beautiful, magical
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thing. But I think for me, just like my experience of love is
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like I'm very empathetic and so like
what I go on dates. Not Saying
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that I fall in love but the
idea of love is always present. So,
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like when I wrote this song,
I kind of got an idea of
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like, okay, let's say this
was a Disney love story, but,
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like we put, love is like
the ultimate villain of it of because,
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you know, love ends up makes
us the most vulnerable, I think,
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and you see, the most like
powerful people when they fall in love,
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they become this completely other type of
person. So I just want to do
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like in terms of scared me most, like I just made like I'm not
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afraid of like demons or ghosts or
anything, when it comes to the idea
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of love, I get kind of, you know, scared of it because
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you become vulnerable and you have no
control what the other person feels. You
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just know the love that you feel. I read a really interesting interview with
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you on hbycom and one of the
things you said is that you went on
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a lot of great dates, but
it ultimately felt like you were dating ghosts,
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and I thought that was such a
powerful statement to make a specially in
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relation to this song. I know
that for me, I personally believe that
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people coming to our lives were a
reason, a season or a lifetime,
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and it kind of sounds like this
song is about the seasonal people. So
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how do those relationships affect you personally
and as an artist just living in Los
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Angeles? I emergently from New York. I've been out here about six or
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seven years, and I mean the
dating game is real, like like it's
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just so crazy. It's just like
these different levels, and the one thing
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I really like about La dating scene
is like the majority of guys I go
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out on dates with, I'm attracted
to delf motivated people. They don't have
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to be successful, but like just
doing their own thing, and I respect
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that. You'll always be second in
a career type mindset. So I kind
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of when I did like start dating
all these guys or whatever, I'd already
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feel sack it right off the bat, which is fine, but you just
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kind of feel like you know their
first love is like their career, which
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I get it because it's kind of
mine to but yeah, like dating ghosts
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is like it's a real thing.
Would you say music is your most consistent
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relationship in life? I would say
so, because, I mean I had
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to love and hate relationship with music
for my like entire life, but the
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love was always the first one that
irritation of it is when I kind of
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turn it into a business. You
know, I was exploiting my talent to
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do like art that I necessarily didn't
resonate with as a creative. But that
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love of music has always been consistent. When you're able to put that emotion
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that you fell into a song and
then feel the emotion back when you hear
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it, it's very cathartic and that's
kind of like my therapy. So so
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one of the things I want to
do with this particular podcast is try to
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help people find their inspiration and I
know that for me, I tried a
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ton of things before I found out
that drag was that one thing that really
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just lit me up. When did
you know that music was that type of
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thing for you? I could kind
of pinpoint it, to be honest,
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and a lot of people can't,
but when I was young, I think
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I was like ten or eleven,
or maybe even younger, to be honest,
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but I got a piano for Christmas
and I remember like coming up with
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ideas in my head and letting my
fingers do it on the keys and then
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hearing it back and just like manipulating
the music. So it kind of that
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love came very, very easily,
where I just like it was like my
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internal voice within doing music and all
that stuff. So I think that's where
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I kind of can pinpoint my love
of music. But I grew up in
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the church and my parents are pastors. Once I like learned the piano,
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I kind of got forced to like
play piano for people and and for the
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congregation or whatever, and the black
church is always like very unforgiving. They're
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always like you're doing really great,
but they'll like, you know, if
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they're not into it, they're not
into it. And I love, you
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know, I love being in that
demographic because you get called out, but
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in a very like you know,
you just had to have thick skin.
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But the cool thing about like learning
piano was, especially within the community that
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I grew up in, is like
they grew up on emotion rather than like
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the analytical side, like a lot
of people that I played with then.
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It like no scales or key or
BPM or whatever, but they knew the
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emotion and the heartbeat of a record
and how to play and how to sing.
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Growing up in that environment really helped
me kind of find my voice within
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that music. I actually stumble across
an interview from you in two thousand and
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fourteen where you're talking about writing,
lyrics and poetry, and you said,
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since I can remember, I have
been a person fascinated by the art of
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conversation. See my father work as
a minister, crafting words to motivate a
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congregation, is where I was first
exposed to the power of words. Do
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you still incorporate that time into your
life, into your music today? You
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know, I actually they have my
masters in creative writing and I have my
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Undergrad in literature and philosophy. So
I really genuinely like I took my fascination
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to another level of really like exposing
myself to it in the most dramatic of
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ways to really educate myself. Of
Okay, words are very fascinating, but
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like, how did the greats,
the great philosophers and a great writers and
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historic historians really motivate these people and
how could they be so classic from like
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thousands of years ago with their words? And a lot of it was I
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took of, you know, emotion
and storytelling. Like a lot of people
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like storytelling and they connect with emotion
and keeping it really broad, like a
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broad kind of topic where every type
of person can rely on the spectrum,
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so more people could connect with it, it could become more classic. So
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I for sure the art of conversation
is Super Key and all my music I've
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done, the single after scarmy most
was don't take my life away, which
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is a narrative on the social injustice
is happening within the black community, and
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I always just want to have it
a conversation piece and open thing where like,
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even if someone that was not a
person of color or someone that's not
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in a marginalize demographic can resonate with
that emotion and still kind of here at
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the pain. I can definitely see
where your mind is working in your writing
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to kind of bring people in and
it. That's really effective. You are
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self produced and self promoting right now, right correct. I am a one
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man band. I have some people
that support me within the arts, but
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the majority of my art direction,
my writing production, filters through me.
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What has your experience been? This
is selfpromoted artist. The really cool thing
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that I'm finding now, as a
solo artist and completely, fully independent,
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literally every artwork, piece, graphic
visual that I put on Youtube, everything
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is completely like produced by me.
So it's a blessing in disguise, because
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I've always wanted a team and I
want to management and distribution all this stuff.
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But I think I always live by
the quote from Arthur ash start where
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you are, use what you have
and do what you can. I don't
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have that right now. So I
really value like learning all the processes from
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like submitting my music to spotify and
to curators and, you know, doing
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as much as I can to learn
the entire scope of the business, because
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there's so many colors within the music
business that I don't think people ever will
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understand unless they do it themselves.
I've been doing it all all my myself.
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I'm kind of I'm not over it
yet, but I'm soon to be
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my patients where my patients is wearing
thin because, you know, with everything
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there's a bandwid and I think you
know creativity, you do have a certain
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amount that you give out and you
need to replenish yourself. To be honest,
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I do have a circle of people
that motivate me that may not be
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part of my projects, but I'm
they, you know, stimulate stimulate me
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doing this stuff and there are and
their music. So that's really good.
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Having a good friendship base within that
but I do. I've I've been slowly
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picking pieces and people from various projects
that I've worked on in the past to
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kind of help me with my vision
and that's just been such a blessing to
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to get their support. I can't
wait till I get, you know,
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like funding and like I just my
ideal dream is just to be do exactly
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what I do just but on a
bigger platform. To what advice would you
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have for the creative people or the
people who want to start something new and
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maybe it's entrepreneurial and putting themselves out
there? I always advise people do it
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and and that's like such a simple
phrase, but it's very complex. I
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have a lot of you know,
people always ask advice of like well,
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how do I do and all this
kind of stuff. And you know,
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in the beginning phases of creating art
or starting Your Business or whatever whatever it
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is, you know there's a fear
because a lot of people in their mind
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they have really good content or they
have a really good idea and they know
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the level of that idea so high
and when they're out putting it it's not
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meaning that idea within their head.
And as creatives that's really difficult because you
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know you want the best. As
for your brand, we all know,
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like you got to look que have
the right filter do this. Your brand
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has to be popping SB feature and
yeah, kind of stuff. But like
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in the beginning, like really humble
yourself and forgive yourself and let yourself go
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through these modes of creativity, because
there's phases to it and it's there's such
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a beauty to becoming an entity and
a lot of people think it's like an
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overnight thing or maybe they'll think I'll
never happen for them, but I just
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is like just do it and forgive
yourself. You're going to make some mistakes,
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it's going to get messy, it's
going to get weird, it's may
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not look exactly like how you do
it, but with each thing that you
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output, whether it's a song,
whether it's like a fashion design or like
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doing makeup for drag or whatever you're
going to do, you know it may
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not be the best, but it's
going to be next time it's going to
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be better and it could be in
the next time could be worse. But
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just know if you're consistent, consistency
will always bread a good characters be your
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own fan, like even like now, every post I make on Instagram,
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I'm always the first to like it, like once I post it, I
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like it because if I even if
no one comments or likes it, I'm
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going to be like, I back
it. I made this art and I'm
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proud of it, so I'm always
the first. Like, I have a
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phrase I always say you need to
be able to cosign your own bullshit,
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and I tell that to my dry
kids all the time. You may go
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out on stage, you know,
knowing that it's a mess, but you
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need to sell it like it is
a you know, couture garment, whatever
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the case maybe, and people love
that, I think. I think more
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than ever, people value honesty and
transparency and I think the cosmetic perfectness of
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life is kind of over. I
think people really love to see the human
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because we've seen so much auto tune
and so much perfection on TV or reality
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TV and stuff where when you see
someone being a human and they're really trying,
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I think people will always connect and
empathize with that. So another thing
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you said in one of the interviews. The quote is I personally think in
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artists should develop their own business practices, relationships, knowledge and crafts so that
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they can learn to be who they
want to become. Have you had people
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in your life tried to change who
you are and how did you deal with
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that? Yes, I think a
lot of people come in, especially other
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creative business mind people will come in
and they'll always have a perspective, which
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I will value a hundred percent,
but there's something within an artist gut and
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they could just tell and they're like
this ain't right. I'll try it,
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but it doesn't narrate well to my
brand. So I've had people, you
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know, pitch music to me or
even beyond set and give me ideas that
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I don't necessarily resonate with. I
always want to be a person with open
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ears, but there does come a
time and I think I've just because I've
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been in the game for a little
bit, where I really know my brand
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and who I want to be.
It's going to grow, it's going to
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be different in the future, I
know that, but for now I really
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like know it. So I think
just trust your gout with certain scenarios because,
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yeah, for me, people like
will try to get it in and
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they'll see the work that you do
and they want to put their name on
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it. In a bigger way when
they really didn't do anything. But that's
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just that they'll be like, oh, I'm X Y Z and I'm like,
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prove it. One of the best
pieces of advice I ever got from
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my English nature and college was that
you should be mindful of what others think,
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but you should never write to please
them, and I think that can
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apply to whatever type of art or
you know undertaking that you wanted to apply
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to a strong sense of self is
what's going to keep you grounded and going
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in this industry, and critique is
wonderful, but you also have to keep
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that sense of who you are absolutely. I think knowing who you are is
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evolving, but knowing your comfort levels
and really praising like what you know in
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your brand that you built, you
should be confident with like never never died
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yourself. Speaking of evolving, another
quote. You have an interview where you
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said I was scared to let my
true art envision come to life because I
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was scared to fail, but now
I am more confident than ever. Talk
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about the time in life where you
were scared to fail and how you became
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who you are now. I think
it was a lot of layers of things,
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one because like the output that I
was doing with in my creativity wasn't
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matching what I saw in my head
and that just really hurt me because,
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like I try to communicate myself and
my artistic view through what I'm doing and
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it wasn't done properly and it was
just getting me really irritated. And even
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even now, you know, like
whether it's experiences or budget or whatever,
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there was never like kind of fully
coming out there, but kind of like
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we were kind of speaking of early, of just finding your confidence within your
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flaws. Even within that past self
exploration, like years ago, I was
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just growing into myself and a human
being. Like I'm black, I'm Mexican
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in a Christian household, gay and
primarily going to like a white school,
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but like living in in the city
and like trying to find my identity with
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an all these different subcultures of who
I was was really hard for me and
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I think even growing up as a
teenager and adult, like I had to
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find my like place within the culture
and the demographic and the you know,
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sexual identity of who I was,
and it was kind of tricky and I
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it was hard for me to be
confident because I didn't know that. But
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like living in Los Angeles and like
seeing all these people and like seeing behind
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the Curin of like, Oh my
God, I've seen you on TV or
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like Oh, I see you're like
on instagram of all these followers, and
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then I've met with so many amazing
people and they're like Yo, I have
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this problem or like this insecurity or
x y Z, and just learning that
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all people are people and they have
struggles just like me. That really like
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encourage me, not the fact that
they were going through stuff, but just
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knowing that I wasn't alone and anything. And it's still true this day of
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Hollywood stars whoever like the prettiest people
or most fit and like perfect skin and
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hair, like, are going through
certains situations like we are. So that
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kind of just made me like,
okay, forgive yourself, grow into this
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identity and just know that it's kind
of evolved and you're going to get more
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and more confident. But you know, I think celebrating myself more helped with
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growing my identity of confidence, celebrating
like the little things, you know,
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like I just started my youtube channel
that I like have like awesome under a
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four hundred followers, but I'm like
yes, killing it, killing the guy
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and like which eat each like thousand
views or whatever. I'm just like celebrating.
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Well, Hey, four hundred isn't
bad, if it makes you feel
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any better. While I have tons
of listeners on the podcast platforms, I
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actually only have like thirteen followers on
youtube, so just because youtube was really
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for podcast, but I would like
a little bit more than that. I'm
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really glad that you touch on the
identity stuff, because something I definitely want
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to talk about is your single don't
take my life away. As we know,
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it's a very difficult and, you
know, weird and interesting and in
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a good way and in bad ways
time to be black and also to be
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black and gay. So I kind
of want to know what inspired that song,
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where your head was at, how
you came about writing it, what
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was your process? Yeah, I
mean, man, that it was such
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a hard time during that week when
floyd was murdered, because it's been happening
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for so long and it's just was
like just it just broke, you know
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when things just really break your heart, like it really broke me, to
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be honest, when all the riots
were happening and like I was here in
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La and my apartment and just like
hearing helicopters and like seeing the craziness of
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it and the depth of it.
It just really, really just brought this
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darkness over my whole mood, my
whole energy, everything. The Sunday morning
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after that happened, I just like
woke up just crying, like and I
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felt like I wasn't crying for myself. It was like because I've had a
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lot of, you know, racist
scenarios that happened to me. My Dad
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has, my whole family has,
my community has. So I just felt
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that like cry from like, like
I call it like a cry from my
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ancestors, like I really felt it. So I ended up going to a
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bunch of Marcher marches protest. I
knew I need to do something creative.
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I just didn't know what I was
going to do. But during the march
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everyone was chanting. I can't breathe, I can't breathe. I was with
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a buddy and I was like this
sounds like a song. So I pulled
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out my phone and voice memo that
the chanting and I got into the studio
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with the producer and the crazy thing
is with the process of that song,
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the entire verse is exactly what I
sang the first time I've ad Lib like
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we didn't cut or added anything in
terms of the Ity, you know,
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we darken the room. I was
just all in my feels and I was
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just like Nanna, so I can't
bring it, and it was just so
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emotional for me to like sing it
and then wrote it the words the next
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day put it out like so quick
because I'm just like I was inspired by
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a Nina Simon interview where she says
an artist duty is to reflect the times.
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It's not a luxury to reflect the
times, it's a duty for us
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to reflect the times. So I'm
like it's not perfectly. My voice isn't
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perfect, like the production isn't exactly
how I want it, but I'm like
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this needs to be heard from me
and it's a lot of people may be
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doing their own records, but I
need to do my record well. It
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is an amazing song and I can
definitely hear the realness and the you know,
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the raw emotion and in that definitely
comes through. One more question.
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What do you think the secret to
a happy and fulfilled life is just comfort
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in your flaws. Is just a
beautiful, beautiful thing. To me,
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and even your perfection could be a
flaw to someone else, but it ain't
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their business. I think the the
secret to happiness is really finding balance within
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the emotion of whatever you feel.
Say you're mad, say you're sad,
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whatever that feeling is, let yourself
feel that, but find the balance within
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yourself of contentment and knowing that it's
okay to hurt, it's okay to be
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mad, it's okay whatever emotion you
feel. It's okay. But just don't
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sit in that too long and don't
let that cloud your vision of your journey
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and who you are and who you're
meant to be. What is next for
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you? What is next for me? Well, I always just encourage people
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to follow my youtube because Youtube and
Instagram I'm very, very active and I
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like I take it very serious and
I'll always give the best content and you
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kind of like see into my spooky
pop type mind. Where can we find
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you online? So you can find
me everywhere. It's at Trent Park,
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on Instagram, at trump park,
as well as Youtube. Throw me a
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DM. I love talking to people
too, so well, try and thank
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you so much for coming on,
sack size. It was absolutely a pleasure.
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Yes, thank you and thanks for
creating this platform for artist, creatives
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and people to talk about there,
there art. I think it's a very
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powerful and needed so thank you all. Right, snacks, not as all
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for today. I will see you
next time. By snacks. Hey,
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00:22:48.000 --> 00:22:52.039
snack I hope you enjoyed this episode. Snack size podcast is sponsored by twin
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00:22:52.160 --> 00:22:57.119
cities gay scene, the online magazine
for events and culture happening in the twin
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00:22:57.200 --> 00:23:03.869
cities area. Check out my biweekly
editorial snack scene, at www dot twin
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00:23:03.950 --> 00:23:10.029
cities gay scenecom. And for more
fun with this podcast, head on over
327
00:23:10.230 --> 00:23:15.140
to www dot snack size podcastcom to
leave a review and follow me on my
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social media. Until next time,
go be fabulous.