Transcript
WEBVTT
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Hey snacks, welcome to season two
of snacks eyes, the podcast that will
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drag you into your most fabulous life. I'm your host, rather lushes,
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also known as the snack of the
twin cities, a drag queen that twirled
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her way into podcasting, and the
rest is a dream come true, and
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that's exactly what this podcast is about, making your dreams happen for you fabulously.
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This season we are continuing our journey
in finding out what makes a happy
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and fulfilled life, going places we've
never been before. Don't forget that,
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when it comes to your potential,
the sky is the limit and it's never
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a bad time to be who you
are. Get you a snack, because
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your fabulous life starts now. I've
been sitting there drinking. Now I'm thinking,
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what's guess me? No Boma bullet
ever do it. No Man,
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no ghost. One thing makes my
skin keep going that fun things. You
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Bust News, and some of you
I'm gonna I'll woke up from the night
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falling and guns, sad life.
What I'M gonna do? Hey snacks,
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you are listening to the single scare
me most from my guests for this episode.
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This guess is a soul full,
spooky pop artist raised in Syracuse,
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New York and now lives in Los
Angeles. He is the son of two
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ministers and first fell in love with
music during his upbringing in the church.
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Now he writes his own songs as
an indie artist with no management or backing.
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He is completely self produced, whether
it's a catchy tune or a stunning
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music visual this, guess, is
an example of what it means to live
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your dreams. Welcome the snack size, Trent Park. Let's give him a
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call. Hi and tried and welcome
to snack size. Hi, thanks so
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much for having me said it.
I am so excited. So scare me.
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Most is my new favorite thing.
I love the beat. So I
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would love to hear about what inspired
that single and what is the story behind
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it. Yeah, so very most
was like an idea. I always had
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this concept of love. Is like
a villain, like villainizing the idea of
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love. I think love is always
persona fied as this like beautiful, magical
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thing. But I think for me, just like my experience of love is
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like I'm very empathetic and so like
what I go on dates. Not Saying
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that I fall in love but the
idea of love is always present. So,
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like when I wrote this song,
I kind of got an idea of
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like, okay, let's say this
was a Disney love story, but,
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like we put, love is like
the ultimate villain of it of because,
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you know, love ends up makes
us the most vulnerable, I think,
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and you see, the most like
powerful people when they fall in love,
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they become this completely other type of
person. So I just want to do
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like in terms of scared me most, like I just made like I'm not
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afraid of like demons or ghosts or
anything, when it comes to the idea
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of love, I get kind of, you know, scared of it because
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you become vulnerable and you have no
control what the other person feels. You
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just know the love that you feel. I read a really interesting interview with
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you on hbycom and one of the
things you said is that you went on
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a lot of great dates, but
it ultimately felt like you were dating ghosts,
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and I thought that was such a
powerful statement to make a specially in
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relation to this song. I know
that for me, I personally believe that
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people coming to our lives were a
reason, a season or a lifetime,
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and it kind of sounds like this
song is about the seasonal people. So
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how do those relationships affect you personally
and as an artist just living in Los
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Angeles? I emergently from New York. I've been out here about six or
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seven years, and I mean the
dating game is real, like like it's
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just so crazy. It's just like
these different levels, and the one thing
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I really like about La dating scene
is like the majority of guys I go
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out on dates with, I'm attracted
to delf motivated people. They don't have
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to be successful, but like just
doing their own thing, and I respect
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that. You'll always be second in
a career type mindset. So I kind
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of when I did like start dating
all these guys or whatever, I'd already
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feel sack it right off the bat, which is fine, but you just
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kind of feel like you know their
first love is like their career, which
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I get it because it's kind of
mine to but yeah, like dating ghosts
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is like it's a real thing.
Would you say music is your most consistent
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relationship in life? I would say
so, because, I mean I had
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to love and hate relationship with music
for my like entire life, but the
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love was always the first one that
irritation of it is when I kind of
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turn it into a business. You
know, I was exploiting my talent to
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do like art that I necessarily didn't
resonate with as a creative. But that
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love of music has always been consistent. When you're able to put that emotion
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that you fell into a song and
then feel the emotion back when you hear
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it, it's very cathartic and that's
kind of like my therapy. So so
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one of the things I want to
do with this particular podcast is try to
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help people find their inspiration and I
know that for me, I tried a
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ton of things before I found out
that drag was that one thing that really
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just lit me up. When did
you know that music was that type of
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thing for you? I could kind
of pinpoint it, to be honest,
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and a lot of people can't,
but when I was young, I think
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I was like ten or eleven,
or maybe even younger, to be honest,
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but I got a piano for Christmas
and I remember like coming up with
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ideas in my head and letting my
fingers do it on the keys and then
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hearing it back and just like manipulating
the music. So it kind of that
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love came very, very easily,
where I just like it was like my
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internal voice within doing music and all
that stuff. So I think that's where
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I kind of can pinpoint my love
of music. But I grew up in
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the church and my parents are pastors. Once I like learned the piano,
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I kind of got forced to like
play piano for people and and for the
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congregation or whatever, and the black
church is always like very unforgiving. They're
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always like you're doing really great,
but they'll like, you know, if
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they're not into it, they're not
into it. And I love, you
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know, I love being in that
demographic because you get called out, but
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in a very like you know,
you just had to have thick skin.
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But the cool thing about like learning
piano was, especially within the community that
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I grew up in, is like
they grew up on emotion rather than like
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the analytical side, like a lot
of people that I played with then.
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It like no scales or key or
BPM or whatever, but they knew the
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emotion and the heartbeat of a record
and how to play and how to sing.
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Growing up in that environment really helped
me kind of find my voice within
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that music. I actually stumble across
an interview from you in two thousand and
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fourteen where you're talking about writing,
lyrics and poetry, and you said,
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since I can remember, I have
been a person fascinated by the art of
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conversation. See my father work as
a minister, crafting words to motivate a
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congregation, is where I was first
exposed to the power of words. Do
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you still incorporate that time into your
life, into your music today? You
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know, I actually they have my
masters in creative writing and I have my
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Undergrad in literature and philosophy. So
I really genuinely like I took my fascination
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to another level of really like exposing
myself to it in the most dramatic of
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ways to really educate myself. Of
Okay, words are very fascinating, but
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like, how did the greats,
the great philosophers and a great writers and
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historic historians really motivate these people and
how could they be so classic from like
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thousands of years ago with their words? And a lot of it was I
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took of, you know, emotion
and storytelling. Like a lot of people
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like storytelling and they connect with emotion
and keeping it really broad, like a
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broad kind of topic where every type
of person can rely on the spectrum,
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so more people could connect with it, it could become more classic. So
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I for sure the art of conversation
is Super Key and all my music I've
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done, the single after scarmy most
was don't take my life away, which
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is a narrative on the social injustice
is happening within the black community, and
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I always just want to have it
a conversation piece and open thing where like,
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even if someone that was not a
person of color or someone that's not
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in a marginalize demographic can resonate with
that emotion and still kind of here at
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the pain. I can definitely see
where your mind is working in your writing
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to kind of bring people in and
it. That's really effective. You are
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self produced and self promoting right now, right correct. I am a one
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man band. I have some people
that support me within the arts, but
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the majority of my art direction,
my writing production, filters through me.
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What has your experience been? This
is selfpromoted artist. The really cool thing
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that I'm finding now, as a
solo artist and completely, fully independent,
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literally every artwork, piece, graphic
visual that I put on Youtube, everything
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is completely like produced by me.
So it's a blessing in disguise, because
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I've always wanted a team and I
want to management and distribution all this stuff.
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But I think I always live by
the quote from Arthur ash start where
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you are, use what you have
and do what you can. I don't
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have that right now. So I
really value like learning all the processes from
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like submitting my music to spotify and
to curators and, you know, doing
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as much as I can to learn
the entire scope of the business, because
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there's so many colors within the music
business that I don't think people ever will
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understand unless they do it themselves.
I've been doing it all all my myself.
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I'm kind of I'm not over it
yet, but I'm soon to be
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my patients where my patients is wearing
thin because, you know, with everything
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there's a bandwid and I think you
know creativity, you do have a certain
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amount that you give out and you
need to replenish yourself. To be honest,
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I do have a circle of people
that motivate me that may not be
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part of my projects, but I'm
they, you know, stimulate stimulate me
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doing this stuff and there are and
their music. So that's really good.
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Having a good friendship base within that
but I do. I've I've been slowly
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picking pieces and people from various projects
that I've worked on in the past to
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kind of help me with my vision
and that's just been such a blessing to
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to get their support. I can't
wait till I get, you know,
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like funding and like I just my
ideal dream is just to be do exactly
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what I do just but on a
bigger platform. To what advice would you
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have for the creative people or the
people who want to start something new and
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maybe it's entrepreneurial and putting themselves out
there? I always advise people do it
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and and that's like such a simple
phrase, but it's very complex. I
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have a lot of you know,
people always ask advice of like well,
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how do I do and all this
kind of stuff. And you know,
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in the beginning phases of creating art
or starting Your Business or whatever whatever it
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is, you know there's a fear
because a lot of people in their mind
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they have really good content or they
have a really good idea and they know
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the level of that idea so high
and when they're out putting it it's not
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meaning that idea within their head.
And as creatives that's really difficult because you
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know you want the best. As
for your brand, we all know,
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like you got to look que have
the right filter do this. Your brand
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has to be popping SB feature and
yeah, kind of stuff. But like
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in the beginning, like really humble
yourself and forgive yourself and let yourself go
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through these modes of creativity, because
there's phases to it and it's there's such
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a beauty to becoming an entity and
a lot of people think it's like an
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overnight thing or maybe they'll think I'll
never happen for them, but I just
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is like just do it and forgive
yourself. You're going to make some mistakes,
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it's going to get messy, it's
going to get weird, it's may
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not look exactly like how you do
it, but with each thing that you
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output, whether it's a song,
whether it's like a fashion design or like
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doing makeup for drag or whatever you're
going to do, you know it may
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not be the best, but it's
going to be next time it's going to
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be better and it could be in
the next time could be worse. But
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just know if you're consistent, consistency
will always bread a good characters be your
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own fan, like even like now, every post I make on Instagram,
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I'm always the first to like it, like once I post it, I
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like it because if I even if
no one comments or likes it, I'm
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going to be like, I back
it. I made this art and I'm
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proud of it, so I'm always
the first. Like, I have a
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phrase I always say you need to
be able to cosign your own bullshit,
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and I tell that to my dry
kids all the time. You may go
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out on stage, you know,
knowing that it's a mess, but you
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need to sell it like it is
a you know, couture garment, whatever
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the case maybe, and people love
that, I think. I think more
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than ever, people value honesty and
transparency and I think the cosmetic perfectness of
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life is kind of over. I
think people really love to see the human
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because we've seen so much auto tune
and so much perfection on TV or reality
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TV and stuff where when you see
someone being a human and they're really trying,
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I think people will always connect and
empathize with that. So another thing
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you said in one of the interviews. The quote is I personally think in
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artists should develop their own business practices, relationships, knowledge and crafts so that
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they can learn to be who they
want to become. Have you had people
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in your life tried to change who
you are and how did you deal with
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that? Yes, I think a
lot of people come in, especially other
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creative business mind people will come in
and they'll always have a perspective, which
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I will value a hundred percent,
but there's something within an artist gut and
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they could just tell and they're like
this ain't right. I'll try it,
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but it doesn't narrate well to my
brand. So I've had people, you
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know, pitch music to me or
even beyond set and give me ideas that
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I don't necessarily resonate with. I
always want to be a person with open
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ears, but there does come a
time and I think I've just because I've
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been in the game for a little
bit, where I really know my brand
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and who I want to be.
It's going to grow, it's going to
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be different in the future, I
know that, but for now I really
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like know it. So I think
just trust your gout with certain scenarios because,
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yeah, for me, people like
will try to get it in and
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they'll see the work that you do
and they want to put their name on
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it. In a bigger way when
they really didn't do anything. But that's
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just that they'll be like, oh, I'm X Y Z and I'm like,
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prove it. One of the best
pieces of advice I ever got from
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my English nature and college was that
you should be mindful of what others think,
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but you should never write to please
them, and I think that can
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apply to whatever type of art or
you know undertaking that you wanted to apply
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to a strong sense of self is
what's going to keep you grounded and going
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in this industry, and critique is
wonderful, but you also have to keep
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that sense of who you are absolutely. I think knowing who you are is
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evolving, but knowing your comfort levels
and really praising like what you know in
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your brand that you built, you
should be confident with like never never died
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yourself. Speaking of evolving, another
quote. You have an interview where you
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said I was scared to let my
true art envision come to life because I
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was scared to fail, but now
I am more confident than ever. Talk
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about the time in life where you
were scared to fail and how you became
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who you are now. I think
it was a lot of layers of things,
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one because like the output that I
was doing with in my creativity wasn't
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matching what I saw in my head
and that just really hurt me because,
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like I try to communicate myself and
my artistic view through what I'm doing and
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it wasn't done properly and it was
just getting me really irritated. And even
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even now, you know, like
whether it's experiences or budget or whatever,
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there was never like kind of fully
coming out there, but kind of like
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we were kind of speaking of early, of just finding your confidence within your
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flaws. Even within that past self
exploration, like years ago, I was
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just growing into myself and a human
being. Like I'm black, I'm Mexican
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in a Christian household, gay and
primarily going to like a white school,
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but like living in in the city
and like trying to find my identity with
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an all these different subcultures of who
I was was really hard for me and
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I think even growing up as a
teenager and adult, like I had to
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find my like place within the culture
and the demographic and the you know,
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sexual identity of who I was,
and it was kind of tricky and I
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it was hard for me to be
confident because I didn't know that. But
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like living in Los Angeles and like
seeing all these people and like seeing behind
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the Curin of like, Oh my
God, I've seen you on TV or
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like Oh, I see you're like
on instagram of all these followers, and
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then I've met with so many amazing
people and they're like Yo, I have
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this problem or like this insecurity or
x y Z, and just learning that
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all people are people and they have
struggles just like me. That really like
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encourage me, not the fact that
they were going through stuff, but just
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knowing that I wasn't alone and anything. And it's still true this day of
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Hollywood stars whoever like the prettiest people
or most fit and like perfect skin and
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hair, like, are going through
certains situations like we are. So that
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kind of just made me like,
okay, forgive yourself, grow into this
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identity and just know that it's kind
of evolved and you're going to get more
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and more confident. But you know, I think celebrating myself more helped with
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growing my identity of confidence, celebrating
like the little things, you know,
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like I just started my youtube channel
that I like have like awesome under a
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four hundred followers, but I'm like
yes, killing it, killing the guy
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and like which eat each like thousand
views or whatever. I'm just like celebrating.
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Well, Hey, four hundred isn't
bad, if it makes you feel
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any better. While I have tons
of listeners on the podcast platforms, I
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actually only have like thirteen followers on
youtube, so just because youtube was really
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for podcast, but I would like
a little bit more than that. I'm
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really glad that you touch on the
identity stuff, because something I definitely want
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to talk about is your single don't
take my life away. As we know,
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it's a very difficult and, you
know, weird and interesting and in
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a good way and in bad ways
time to be black and also to be
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black and gay. So I kind
of want to know what inspired that song,
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where your head was at, how
you came about writing it, what
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was your process? Yeah, I
mean, man, that it was such
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a hard time during that week when
floyd was murdered, because it's been happening
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for so long and it's just was
like just it just broke, you know
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when things just really break your heart, like it really broke me, to
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be honest, when all the riots
were happening and like I was here in
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La and my apartment and just like
hearing helicopters and like seeing the craziness of
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it and the depth of it.
It just really, really just brought this
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darkness over my whole mood, my
whole energy, everything. The Sunday morning
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after that happened, I just like
woke up just crying, like and I
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felt like I wasn't crying for myself. It was like because I've had a
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lot of, you know, racist
scenarios that happened to me. My Dad
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has, my whole family has,
my community has. So I just felt
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that like cry from like, like
I call it like a cry from my
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ancestors, like I really felt it. So I ended up going to a
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bunch of Marcher marches protest. I
knew I need to do something creative.
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I just didn't know what I was
going to do. But during the march
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everyone was chanting. I can't breathe, I can't breathe. I was with
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a buddy and I was like this
sounds like a song. So I pulled
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out my phone and voice memo that
the chanting and I got into the studio
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with the producer and the crazy thing
is with the process of that song,
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the entire verse is exactly what I
sang the first time I've ad Lib like
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we didn't cut or added anything in
terms of the Ity, you know,
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we darken the room. I was
just all in my feels and I was
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just like Nanna, so I can't
bring it, and it was just so
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emotional for me to like sing it
and then wrote it the words the next
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day put it out like so quick
because I'm just like I was inspired by
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a Nina Simon interview where she says
an artist duty is to reflect the times.
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It's not a luxury to reflect the
times, it's a duty for us
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to reflect the times. So I'm
like it's not perfectly. My voice isn't
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perfect, like the production isn't exactly
how I want it, but I'm like
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this needs to be heard from me
and it's a lot of people may be
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doing their own records, but I
need to do my record well. It
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is an amazing song and I can
definitely hear the realness and the you know,
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the raw emotion and in that definitely
comes through. One more question.
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What do you think the secret to
a happy and fulfilled life is just comfort
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in your flaws. Is just a
beautiful, beautiful thing. To me,
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and even your perfection could be a
flaw to someone else, but it ain't
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their business. I think the the
secret to happiness is really finding balance within
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the emotion of whatever you feel.
Say you're mad, say you're sad,
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whatever that feeling is, let yourself
feel that, but find the balance within
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yourself of contentment and knowing that it's
okay to hurt, it's okay to be
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mad, it's okay whatever emotion you
feel. It's okay. But just don't
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sit in that too long and don't
let that cloud your vision of your journey
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and who you are and who you're
meant to be. What is next for
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you? What is next for me? Well, I always just encourage people
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to follow my youtube because Youtube and
Instagram I'm very, very active and I
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like I take it very serious and
I'll always give the best content and you
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kind of like see into my spooky
pop type mind. Where can we find
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you online? So you can find
me everywhere. It's at Trent Park,
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on Instagram, at trump park,
as well as Youtube. Throw me a
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DM. I love talking to people
too, so well, try and thank
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you so much for coming on,
sack size. It was absolutely a pleasure.
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Yes, thank you and thanks for
creating this platform for artist, creatives
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and people to talk about there,
there art. I think it's a very
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powerful and needed so thank you all. Right, snacks, not as all
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00:22:44.599 --> 00:22:47.880
for today. I will see you
next time. By snacks. Hey,
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00:22:48.000 --> 00:22:52.039
snack I hope you enjoyed this episode. Snack size podcast is sponsored by twin
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00:22:52.160 --> 00:22:57.119
cities gay scene, the online magazine
for events and culture happening in the twin
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00:22:57.200 --> 00:23:03.869
cities area. Check out my biweekly
editorial snack scene, at www dot twin
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00:23:03.950 --> 00:23:10.029
cities gay scenecom. And for more
fun with this podcast, head on over
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00:23:10.230 --> 00:23:15.140
to www dot snack size podcastcom to
leave a review and follow me on my
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00:23:15.259 --> 00:23:19.019
social media. Until next time,
go be fabulous.