UAWIL #177: On First Listen - Roger Waters The Pros & Cons of Hitchhiking
Roger Waters first solo album was ambitious with a deep story set in real time, with a full stage production which you might expect from a Pink Floyd show. But is it a good album? Are there good songs? We try to answer those questions on our first listen of the record.
We developed our On First Listen series so we'd have the opportunity to give a good listen to albums which had somehow gotten past us. Maybe we'd always seen it in the record store and were curious or maybe friends had recommended the album but we never had a chance to listen. Perhaps, like Roger Waters 1984 solo effort The Pros & Cons of Hitchhiking, it was both as the distinct cover is a young boys record shopping fantasy and many prog-heads have suggested it's better than The Wall from Roger's former band Pink Floyd. In fact, he brought both concepts to the band in the late 70s - they could pick the one they liked best and the other, Roger would keep for a solo album. While The Wall became a cultural touchstone selling tens of millions of copies around the world, The Pros & Cons was met with a much cooler reception.
And while Roger employed the talents of folks who had helped make Pink Floyd's The Wall such a success like artist Gerald Scarfe, he also brought in some preeminent musicians like David Sanborn, Michael Kamen and Eric Clapton. Telling a story in real time of a man dreaming about having an affair, the ambition of Roger Waters for the stage and screen of his idea is epic. However, despite all this help the album didn't sell like a PInk Floyd album and many critics and fans savaged the album as Roger's negative ego trip. Yet some say it's his finest work, in or out of Floyd. To help give us some insight, we brought back friend of the show Lee Dickson who was Eric Clapton's longtime guitar tech. Though his memory is a bit foggy, the stories of how the stage was setup and how the musicians performed this music on-stage are really special and we're so glad to have him back. Where do you come out on this divisive record? Is it an amazing concept or just a bad album? Are any of the songs memorable? We try to figure that out On First Listen.
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